Monthly topic

Mar. 1st, 2026 09:08 pm
abomvubuso: (...I COULD MURDER A CURRY.)
[personal profile] abomvubuso posting in [community profile] talkpolitics
Hey everybody! As per our local tradition, it's time to see what the new monthly topic is. The one you guys last time chose was...

National Identity in an Age of Mass Migration



And here's the poll for April!

What should be the next monthly topic?

1) The Death of International Law?
2) Energy Geopolitics After the Oil Age
3) Narratives of Security: Fear, Identity, and Policy
4) National Revanchism in the 21st Century
5) Political Fandom: Movements, Memes & Modern Cults

Feel free to suggest more...
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[personal profile] cahwyguy

[As you can see, the SNAP autoposter is working again]

What? February is over already? Seems like it is only been four weeks? Time is going fast in 2026, perhaps because we want it to be over fast. Now that I’m retired, the days are busy in a different sense: working on the highway pages, and working at the gym. Reading the news and looking for articles related to California Highways, saving them away for this headline post. I’m continuing to work on the highway pages: The January headlines are incorporated in the source files, and after this post I’ll start on the February pages and likely work on finishing the update round (unless I wait until the March headlines). Note that 2026 marks the 30th Anniversary of the California Highways website. The changelog for 1996 shows the first “official” changes in October 1996, although it notes that “Changes before early 1996 were not specifically noted, although this site, in various forms, dates back at least as far as 1992, and possibly as early as 1986. Searching on Google Groups uncovers an early posting of the state highway list in December of 1992 to the Usenet Group ca.driving. In 1995, there was a posting of the highway list in response to a question, showing a last modified date of 1994. By October 1996, postings were being made showing the existence of the California Highways page off of Pacificnet. The earliest capture of the site on the Wayback Machine is in December 1998.” So welcome to the 30th Anniversary year, or perhaps the 40th Anniversary year, of California Highways!

California Highways: Route by Route logoWith respect to the podcast: Season 4 is written and recording is proceeding apace. We’re planing a few bonus episodes that don’t take as much research and writing; after which I’ll turn my attention to Season 5, covering Routes 15 through 23. I particularly like ep 4.12, which covers the unbuilt freeways of the San Fernando Valley, using the first segment of Route 14 as the starting point. Zencaster is working well for recording the podcast. I think it sounds better, but I would love to hear from the listeners. Let us know what you think. It looks like the regular audience is between 60-80 folks, and I’d love to get that number up, although the numbers don’t included those who listen directly from the CARouteByRoute website (as I don’t know how to get those stats). You can help our listening audience grow. Please tell your friends about the podcast, “like”, “♥”, or “favorite” it, and give it a rating in your favorite podcatcher. Share the podcast on Facebook groups, and in your Bluesky and Mastodon communities. For those that hear the early episodes, the sound quality of the episodes does get better — we were learning. If you know sound editing, feel free to give me advice (I use Audacity to edit). As always, you can keep up with the show at the podcast’s forever home at https://www.caroutebyroute.org , the show’s page on Spotify for Creators, or you can subscribe through your favorite podcatching app or via the RSS feeds (CARxR, Spotify for Creators) . The following episode has been posted this month:

  • February | CA RxR 4.07: Route 11: From Pasadena to the Border. In Episode 4.07, we examine Route 11.  We’ll start by exploring LRN 11, which was essentially the first state highway, running from Sacramento to Placerville, later extended to run from Antioch to the Nevada State Line near Lake Tahoe. Today, it is primarily US 50 with a bit of Route 160. We then the original Sign Route 11, which was LRN 165 and LRN 205, and is today’s Route 110. It was also US 60, and is perhaps better known as the Harbor Freeway and the Pasadena Freeway / Arroyo Seco Parkway. We explore the history and various routings of Sign Route 11, including the history of the Figueroa Tunnels. Lastly, we explore the current Route 11, which is a short route near the Mexico border that connects the San Diego Freeway System (Route 905/Route 125) to the Otay Mesa East port of entry.
    .
    On deck: In episode 4.08, we start a three-episode group that will cover Route 12. Route 12 runs from Route 1 near Valley Ford to US 101 and thence to Sonoma area. It then runs through Napa to meet I-80 near Cordelia. That part is episode 4.08. Episode 4.09 will cover Route 12 from I-80 near Suisan City through the Sacramento Wetlands to Lodi and Route 99. Lastly, Episode 4.10 will cover Route 12 from Route 99 to the Sierra Foothill and San Andreas, where it meets Route 49. (Spotify for Creators)

As a reminder: One of the sources for the highway page updates (and the raison d’etre for for this post) are headlines about California Highways that I’ve seen over the last month. I collect them in this post, which serves as fodder for the updates to my California Highways site, and so there are also other pages and things I’ve seen that I wanted to remember for the site updates. Lastly, the post also includes some things that I think would be of peripheral interest to my highway-obsessed highway-interested readers.

Well, you should now be up to date. Here are the headlines that I found about California’s highways for February 2026.

Key

[Ħ Historical information |  Paywalls, $$ really obnoxious paywalls, and  other annoying restrictions. I’m no longer going to list the paper names, as I’m including them in the headlines now. Note: For paywalls, sometimes the only way is incognito mode, grabbing the text before the paywall shows, and pasting into an editor. See this article for more tips on bypassing paywalls. $$ paywalls require the use of archive.ph. ☊ indicates an primarily audio article. 🎥 indicates a primarily video article. 🎩 indicates hat/tip to someone for finding this article. ]

Highway Headlines

  • Commission to Hear Status 710 Freeway Stub Redevelopment Report (Pasadena Now). The city’s Human Relations Commission will receive a presentation on the Reconnecting Pasadena 710 project at its Feb. 3 meeting, focusing on social justice considerations and community perspectives. Danny Parker, chair of the Reconnecting Pasadena 710 Advisory Group, will address commissioners at 6:30 p.m. at Jackie Robinson Community Center, at 1020 North Fair Oaks Avenue. The presentation marks the commission’s first formal update on the long-debated freeway stub redevelopment since the project gained renewed attention last fall.
  • O’Byrne’s Ferry Bridge (No. 281 California Historical Landmark) (Sierra Nevada Geotourism). O’Byrne’s Ferry Bridge started out as a simple old toll bridge between two counties, and ended its legacy by making a splash! Patrick O. Byrne started construction of a chain cable bridge in 1852 across the Stanislaus River on the line between Calaveras and Tuolumne counties. It soon became a bustling toll bridge since it was on the primary road between Stockton and Sonora.
  • Could part of Highway 1 be moved inland? (San Mateo Daily Journal). A potential long-term suggestion to address erosion along Highway 1 in the Surfers Beach area by elevating the road and moving it inward to the Burnham Strip is generating concern from community leaders, who say the proposal doesn’t adequately address environmental root causes and ignores a park planned for the area. Caltrans will take the plan and deve lop a more detailed feasibility study, beginning a long development process that can take up to five to 10 years, said Joshua Smith, California Coastal Commission spokesperson. The plan, which was submitted to the California Coastal Commission by Caltrans in November, offers long-term alternatives to protect the threatened highway, including various combinations of moving it in by around 200 feet, raising the road with a bridge structure and more nature-based defenses.
  • California Invests Nearly 1 Billion Dollars for Safer Highways, Improving Transit and Expanding Walkable Communities (Caltrans). The California Transportation Commission (CTC) this past week allocated nearly $1 billion to expand transit capabilities, add new highway safety features and boost the state’s continued climate action goals. Bolstered by Governor Gavin Newsom’s Build More, Faster – For All infrastructure agenda, these improvements will make California communities safer and more climate resilient. The $988.7 million approved today includes $184 million from the federal Infrastructure Investment and Jobs Act of 2021 (IIJA) and $336 million in support from Senate Bill 1 (SB 1), the Road Repair and Accountability Act of 2017. The investments made by these two funding sources have created an estimated 684,000 jobs. It has helped Californians, businesses and visitors who rely on the state’s transportation network for employment and educational opportunities, access to goods and services and connection to recreational attractions. […] The list of funded projects includes $96 million to improve travel times and enhance traffic safety between Ventura County and Goleta with high-occupancy vehicle (HOV) lanes, pedestrian and bike paths and transit enhancements.
  • City of Malibu announces new safety measures after deadly pedestrian crash on Pacific Coast Highway (ABC7 Los Angeles). Malibu officials are highlighting new safety efforts along Pacific Coast Highway as authorities investigate another deadly crash in which a pedestrian was hit and killed overnight, briefly shutting down portions of the roadway. The incident comes amid long-standing concerns about speeding on the busy coastal stretch. Safety along the highway has been under scrutiny for years, including after a 2023 crash that killed four Pepperdine University students.
  • The breathtaking wonders of California Highway 127 (Los Angeles Times). By midwinter, Los Angeles is defined less by cold than by light. Cool, clear mornings give way to afternoons shaped by the low winter arc of the sun, painting the mountains in long shadows and the sky in improbable color. And as that low light settles in, my whole body shifts in spirit. Somewhere deep in the limbic system, a synapse fires like a flare, tracing the old circuitry of migration and memory — that annual pull toward the wide-open deserts of the American Southwest. I dream of lizards, dark skies, sand dunes and sunsets streaked in rose-mauve and smoky violet, the air heavy with the scent of wet creosote and campfire smoke.
  • On Highway 127, I discovered the breathtaking wonders of going the long way (LA Times via MSN). By midwinter, Los Angeles is defined less by cold than by light. Cool, clear mornings give way to afternoons shaped by the low winter arc of the sun, painting the mountains in long shadows and the sky in improbable color. And as that low light settles in, my whole body shifts in spirit. Somewhere d eep in the limbic system, a synapse fires like a flare, tracing the old circuitry of migration and memory — that annual pull toward the wide-open deserts of the American Southwest. I dream of lizards, dark skies, sand dunes and sunsets streaked in rose-mauve and smoky violet, the air heavy with the scent of wet creosote and campfire smoke. But mostly I long for the open road, those forgotten highways where pavement runs through the quaint towns, weathered landmarks and the millions of acres of public land in the desert. It is a nostalgia shared by the chroniclers of the past.
  • When will Angeles Crest Highway reopen after Christmas storm damage? Caltrans gives update (ABC7 Los Angeles). A portion of the Angeles Crest Highway has been closed for about a month after the Christmas week storms washed away parts of the road. Repair work is underway, but when exactly will the highway will reopen? Eyewitness News spoke with Monica Ruvalcaba with Caltrans on Wednesday, who said the highway is closed indefinitely for about a 30-mile stretch, starting at Newcomb’s Ranch to Big Pines Highway. The extent of the damage in some areas is so bad, Caltrans crews can’t get to those spots yet.
  • Caltrans to Begin SR-4 Old River Bridge Maintenance Project (Contra Costa News). Caltrans will soon begin a bridge maintenance and preservation project that will make necessary upgrades and repairs of the Old River Bridge on State Route 4 (SR-4), located at the San Joaquin/Contra Costa County line, east of Discovery Bay. This project is required to install a new polyester concrete overlay to the bridge deck (roadway) surface, install new guardrail systems located at the approaches of each end of the bridge, and painting of the bridge steel structure with weather-resistant paint and materials to increase the reliability and serviceability of this 100-year-old swing span bridge. Additional in-water work will see the existing timber waling and the fenders on the north side of Pier 3 replaced, while the south side of Pier 2 would be supported with new high-density polyethylene walers mounted to the existing timber piles.
Read more... )

ACFS Concert and the Producer's Role

Mar. 1st, 2026 09:22 pm
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[personal profile] tcpip
Yesterday was a concert the acclaimed Shu Cheen Yu and Lotus Wind Choir for the Australia China Friendship Society (Victoria) which, in my role as president of the ACFS, I was co-producer. Held at St John's Anglican Church in Toorak, with its rather delicious Gothic revival architecture and superb acoustics, the concert was very successful. There were around 150 people in attendance, including representatives from the Consulate, Australia's former ambassador to China, and many Chinese community leaders. Shu Cheen Yu herself is really a star, trained in both Peking and Western operatic traditions; she has one of the most astounding voices I've ever heard, and she is such an impressive organiser and leader.

The concert itself was an equal balance between various European and Chinese traditional songs. I was especially taken by the passionate performance of the Neapolitan classic, "Santa Lucia!", and the sheer power and majesty of "Legend of the Dragon". It must be gently said that the concert was a bit of a financial success for the society, with several thousand dollars raised. As an entirely volunteer organisation that receives no outside grants, events like this are required for our survival. The generosity and support of members of Victoria's Chinese community toward the ACFS have not gone unnoticed, and nor has the exceptional support I was provided by members of the ACFS committee.

This is the first time I've produced a concert and, I must say, it is something that is not unlike other forms of event management. In the relatively recent past, I have organised conventions e.g., "Cyberpunk 2020: Year of the Stainless Steel Rat", "RuneQuest-Glorantha Con DownUnder IV" and "RuneQuest-Glorantha Con DownUnder III" (for the latter, I received the inaugural Greg Stafford Memorial Prize). With common characteristics, event management is essentially a subset of project management, which means that it is a unique activity that involves multiple people and is time-dependent. It involves having a governance structure, organising a team, reporting, timetabling, being very aware of dependencies and, as the production-project manager, being very sensitive to tolerances and being prepared to pick up the pieces very quickly when things go wrong. More than a decade ago, I actually did a graduate degree in project management, along with PRINCE2 certification. If you're ever involved in organising events, my notes on this subject might be helpful.

global mourning

Feb. 28th, 2026 09:23 pm
[personal profile] edelsont posting in [community profile] talkpolitics

I do not approve of my country's (the United States') having gone to war against Iran.

When we knew that it could happen, but before it had, I assumed that my reaction, when and if that day came, would be primarily one of anger (toward my own government).

That assumption turned out to be incorrect.

My saying this does not, however, indicate any shift from disapproval toward approval.  The shift is not in what I think, but in what I feel.

That does not fit within the framework of moral judgment.  It is simply grief.

It's happening

Feb. 28th, 2026 06:48 pm
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[personal profile] fridi posting in [community profile] talkpolitics

Today’s escalation in Iran marks a sharp shift from months of tension to active military engagement. Today morning, coordinated air and missile strikes by the US and Israel struck multiple sites inside Iran, including military infrastructure and strategic targets in Tehran, in what officials described as a “pre-emptive” operation to degrade Iran’s missile capabilities and nuclear ambitions. Tehran responded with widespread rocket and missile launches targeting Israeli territory and US military bases across the Gulf region, including in Bahrain, Kuwait, Qatar and the UAE. Explosions were reported in major Iranian cities, prompting civilian evacuations and closures of schools and airports, while both sides continue to reinforce forces in adjacent theaters.
https://news.cgtn.com/news/2026-02-28/Israel-U-S-military-actions-in-Iran-further-destabilize-chaotic-world-1L8cSqCDKSc/p.html

International reactions have been sharply divided along strategic lines. Western governments like the UK, France, and Germany condemned Iranian attacks on neighboring states and called for a return to negotiation, stressing civilian protection and de-escalation. At the UN, Secretary-General António Guterres called the use of force by all parties “undermining international peace and security” and demanded an immediate ceasefire. In contrast, Russia condemned the US-Israeli strikes as “unprovoked aggression” and expressed readiness to support diplomatic avenues while warning of humanitarian and security risks. Other regional actors such as Turkey, Egypt, and Gulf states urged restraint, emphasizing regional stability and the catastrophic consequences of further escalation.
https://www.newswire.lk/2026/02/28/statement-by-un-secretary-general-on-iran/

Public sentiment inside Iran and among dissident communities reflects fractured responses. Some Iranians reportedly reacted with cautious optimism to the strikes against regime infrastructure, interpreting them as weakening state control, while state media framed the attacks as violations of sovereignty and mobilized nationalist sentiment. Exiled opposition figures have characterized international military action as a form of “humanitarian intervention”, though these claims are contested and exist alongside significant fears of widespread civilian harm. Internally, the government’s prior suppression of protests and information blackouts has limited transparent reporting, complicating assessments of broader societal reactions.
https://www.reddit.com/r/NewIran/comments/1rgvquo/iranians_on_the_rooftop_reacting_with_happiness/

Looking ahead, the likeliest direction points toward intensification and fragmentation rather than rapid resolution. Diplomatic mechanisms such as IAEA technical talks scheduled for early March may persist, but with active hostilities underway, negotiations face near-term setbacks. Military escalation risks drawing in additional regional actors and could lead to protracted engagement reminiscent of past Middle Eastern conflicts. Unless decisive external pressure or an internal political rupture alters incentives, the situation is prone to extended instability with cyclical retaliation, constrained diplomacy, and significant humanitarian costs.
https://tribune.com.pk/story/2595016/iaea-schedules-iran-technical-talks-on-march-2
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[personal profile] luzribeiro posting in [community profile] talkpolitics
Sydney Sweeney, best known for Euphoria and The White Lotus, recently posted a no-makeup photo - and the internet had a lot to say.
While many fans praised her for embracing her natural look, others criticized her for “not looking like herself” without glam. The mixed reactions highlight the intense pressure celebrities face to always appear polished and camera-ready.
By sharing the unfiltered photo, Sydney challenged the unrealistic beauty standards that often shape Hollywood - and social media. The moment quickly turned into a bigger conversation about authenticity, self-image, and why women are still judged so harshly for simply looking human.
Sometimes the boldest statement isn’t makeup - it’s confidence without it.
abomvubuso: (Groovy Kol)
[personal profile] abomvubuso posting in [community profile] talkpolitics
Recently Russia and China agreed to let their citizens travel to each other's countries without a visa for short stays. On September 15 last year, China began a 1 year trial allowing Russian passport holders to enter China without a visa for up to 30 days for tourism, business, visits and transit. Russia followed on December 1 when President Putin signed a decree letting Chinese citizens enter Russia visa-free for up to 30 days under similar conditions. Both policies are set to run through September 14 this year.
https://www.themoscowtimes.com/2025/09/02/china-to-allow-visa-free-travel-for-russians-in-one-year-trial-a90402

Supporters describe these changes as steps to boost tourism, people ties and business travel across the long Russia-China border. Early reports from regions near the frontier, like Primorsky Krai in Russia's Far East, show rising numbers of Chinese tourists since the policy took effect. Russia's Ministry of Economic Development has talked about attracting more visitors from China as part of tourism growth.

Read more... )
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Amadeus (Pasadena Playhouse)[Note: The Wordpress plugin that did autoposting is broken. If someone has a recommendation for a replacement plugin, please let me know. Otherwise, I'm going to have to do these manually for now. The original post for this is: 
https://cahighways.org/wordpress/?p=17528 ]

Wolfgang and Antonio, it's been a while. I think we last saw Amadeus in the excellent Rep East production back in 2010, with Daniel Lench in the lead role as Salieri. Well, alas for Daniel, Jefferson Mays has topped him in the outstanding production of Amadeus we saw last night at the Pasadena Playhouse. They more than made up for the disappointing previous production Ha Ha Ha Ha Ha Ha back in October. Amadeus is a well known play by Peter Shaffer. Back in 2010, I summarized the play as follows:
Amadeus” (you may have seen the motion picture) tells the story of the rivalry between Antonio Salieri and Wolfgang Amadeus Mozart… or should I say imagined rivalry, for Mozart didn’t see Salieri as a rival, whereas Salieri saw Mozart as a rival in God’s eyes. The story is told in flashback, from Salieri’s point of view, as Salieri is dying. He is attempting to confess to killing Mozart by relating the story of how he did the deed. He begins by telling how he dedicated his life to praising God through music, but when he saw Mozart’s music, realized that God had forsaken him and chosen Mozart to be his voice. Further, Salieri saw that Mozart was a base and callow fellow, a pottymouthed, childish prodigy, further cementing the notion that the gift must be from God. At the moment of that realization, Salieri vows to make God abandon his chosen voice. Much of the play is Salieri relating how he believes his actions created the situations that drove Mozart deeper into poverty, dispair, and eventual destitution. At the end, Mozart is dead in his 30s, but Salieri lives on another 25 years being elevated in fame, only to know that everlasting fame and retribution will be Mozart’s, for it will be Mozart’s music that survives. Salieri eventually commits suicide so that his name will at least live in infamy, but fails in that as well.
Given how well known the play is, there are two things that distinguish one production of Amadeus from another: the performances and the production. The production we saw back in 2010 was an exemplar of creativity on limited budget: a small production in an 81 seat black box, with outstanding performances by mostly local performers that were part of the regular Rep East ensemble team. I still remember the harpsicord/piano they built for that production, which remained in the Rep East lobby for years after, until the company folded a few years later. I have no idea what the replacement theatre, The Main, did with it. The Pasadena Playhouse, on the other hand, is more at the other end of the spectrum. They have a larger donor base, and there was significant additional philanthropic support for this production. They were also able to draw from a different actor pool: unlike the intimate theatre scene in Los Angeles, the PP is able to draw from (and pay for) Equity actors (although I should note that the Rep production did have three Equity actors, including Lench in the lead role). It shows. The Los Angeles Times has a great article on the production aspects of this show. The article notes the design aspects of the stage created by the Pasadena Playhouse's on-site scenic design shop. This includes "the forced perspective of scenic designer Alexander Dodge’s set, which makes a royal room seem to disappear into the distance" and "An electric keyboard programmed to sound like a fortepiano is also embedded in a handcrafted instrument, which actors with musical training can play." The costumes are quite extravagant, and the LA Times noted "Linda Cho designed the costumes and L.A. Opera fabricated the extravagant 18th century garments". L.A. Opera also provided additional training for the performances of the opera snippets within the production. And yet, this production is an example of what can be done with traditional stagecraft: there are no electronic tricks; there is no projected scenery (although there are some projected tapestries). Construction is flats and trapdoors and hidden stairs. It shows the power of theatre, without the mechanical and electrical supports that productions these days seem to rely upon far too heavily. But I think what really made this production of Amadeus stand out was the work of Jefferson Mays as Salieri. He just drew you into the performance, capturing well the inner obsession had had all of his life: with his music, with being known, with wanting to be the voice of God... and how that obsession turned from the creation of art to revenge when faced with the upstart and contradiction that was Mozart. For Mozart had the talent; he was a child prodigy that was composing from his youngest days. Music just poured from him. But he also remained childish, with few people skills, a potty mouth, and (according to the play) a childish obsession with sex and bums (asses). Sam Clemmett captured that contradictory nature well, and it played well with the growing infuriation showed by Mays' Salieri at how God bypassed and mocked him in the talent department. The two performances played well off of each other. There were a few other notable performances. Jennifer Chang and Hilary Ward were outstanding as the Venticellis (the aides to Salieri), with great facial impressions. Lauren Worsham was fun as Constanze Mozart, especially in her scenes with Salieri. Matthew Patrick Davis was a hoot as Joseph II, especially as the very tall Davis had to fit through the very small forced perspective doors at the back of the stage. Lastly, note that the Playhouse cast some real opera talent as the performers in the Mozart opera snippits: Michelle Allie Drever and Alaysha Fox have been in quite a few operas. Note that it looks like the Playhouse (now that it owns the building) has finally giving up on its restaurant space ever being a stand-alone success, and has turned it into a bar and lounge, and perhaps a small concert performance space. This is a wonderful idea and a great use of the space. However, the concessions are far too expensive: $9 for a box of cookies or $12 for a chocolate chip cookie is poor form, when one can just walk across the street to The Stand and get cookies for $3.50 or a large brownie for $4.50.  A dollar or two markup to support the theatre is tolerable; doubling the price (especially for something that is pre-packaged) isn't. Amadeus has had its run extended: It now continues until March 15. You can get tickets through the Pasadena Playhouse website. You might be able to get discount tickets from the Today Tix website, but Today Tix really is not as good as their predecessor, Goldstar Events.

Credits

Amadeus. Written by Peter Shaffer. Directed by Darko Tresnjak. Cast: Kanajuan Bentley Van Swieten; Jared Andrew Bybee Valet / Major-Domo; Jennifer Chang Venticelli; Sam Clemmett Mozart; Matthew Patrick Davis Joseph II; Michelle Allie Drever Katherina Cavalieri / Soprano; Alaysha Fox Teresa Salieri / Soprano; Matthew Henerson Count Johann Kilian Von Strack; John Lavelle Orsini-Rosenberg; Jefferson Mays Salieri; Brent Schindele Cook / Kappelmeister / Harpsichordist; Hilary Ward Venticelli; Lauren Worsham Constanze. Production and Creatives: Peter Shaffer Playwright; Darko Tresnjak Director; Alexander Dodge Scenic Designer; Linda Cho Costume Designer; Pablo Santiago Lighting Designer; Jane Shaw Sound Designer; Aaron Rhyne Projection Designer; Will Vicari Hair / Wig / Makeup Designer; Jeff Bernstein Music Director; Jennifer Ringo Vocal Coach; Sasha Nicolle Smith Intimacy Consultant; Miranda Johnson-Haddad Dramaturg; David S. Franklin Production Stage Manager; Alyssa Escalante Asst Stage Manager; Ryan Bernard-Tymensky Casting.

Administrivia

I am not a professional critic. I’m a cybersecurity professional, a roadgeek who does a highway site and a podcast about California Highways, and someone who loves live performance. I buy all my own tickets, unless explicitly noted otherwise. I do these writeups to share my thoughts on shows with my friends and the community. I encourage you to go to your local theatres and support them (ideally, by purchasing full price tickets, if you can afford to do so). We currently subscribe or have memberships at: Center Theatre Group/Ahmanson TheatreBroadway in Hollywood/Pantages TheatrePasadena PlayhouseThe SorayaChromolume Theatre NEW, and 5-Star Theatricals. We just added Chromolume Theatre as our intimate theatre subscription — we subscribed there pre-pandemic when they were at their West Adams location, but they died back in 2018. They started back up last year (but we had seen all their shows); this year, their season is particularly interesting: The Color PurpleIf/ThenElegies (during Hollywood Fringe), and Roadshow (nee Bounce) [by Steven Sondheim]. Mind you, these are all in the intimate theatre setting, and this will be the first time Roadshow has been done in Los Angeles, to my knowledge. Information on purchasing their 2026 season is here. Our previous intimate theatre, Actors Co-Op, seems to be on hiatus. Want to find a show: Check out the Theatre Commons LA show list. Other good lists are the Theatre in LA listings; the TodayTix listings; OnStage 411 (use the “shows” drop down); and Theatermania. I used to do more detailed writeups; here’s my current approach.

Upcoming

♦ Theatre / ♣ Music / ◊ Other Live Performance – Next 90ish Days (⊕ indicates ticketing is pending).

The Rhythm of Bitterness

Feb. 22nd, 2026 11:48 am
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[personal profile] tcpip
Last night I was a guest at the Chinese New Year concert at Hamer Hall, an event organised by the Melbourne Symphony Orchestra with the Chinese consulate. The concert was a good mix of modern and classical, East and West. Mindy Meng Wang's performance on the guzheng for The Butterfly Lovers was especially notable, and Li Biao's enthusiasm as conductor could not go unnoticed. The main part of the programme, Beethoven's 7th Symphony, is far from my favourite, but I do really like the dreamlike dirge of the second movement. There were also meet-and-greet functions before and after the concert, where one had the opportunity to meet various guests, organisers, and performers, along with vox-pop interviews from CCTV. It is certainly the season for such things, with, of course, the ACFS hosting our own concert next week.

As a sort of musical juxtaposition, earlier this week I wrote a review on Rocknerd for the most recent album, "Crocodile Promises" by The March Violets. Once a post-punk band from the early 80s, their company could also include groups like The Chameleons, The Comsat Angels, The Sisters of Mercy, Red Lorry Yellow Lorry, etc. However, more recently, they have moved to a more alt-rock sound, which isn't wrong (bands should develop their sound), but it is different. The album positively thunders along and is a deeply emotional collection of songs, of which "Bite the Hand" really stood out to me. On a related note (pun not intended), I have been delving quite deeply in recent days into the older albums by The Comsat Angels with their often spartan instrumentation and bitter and bleak lyrical content.

It is has all rather suited my current mood. Music is a universal language of mood, both in the uplifting and sombre sense. The latter affects me every day; I seriously don't understand how people remain indifferent to the immediate conflicts (e.g., Gaza) or to longer-term downward trends (e.g., the climate). February 18, for what it's worth, was Bramble Cay Melomys Day, a on-going memorial and campaign for the first mammal species driven to extinction by climate change. Yes, I can enjoy music, culture, artistry, and beauty, whilst simultaneously being driven by such events. As a certain J. Cash once wrote, "I'd love to wear a rainbow every day, And tell the world that everything's okay. But I'll try to carry off a little darkness on my back. 'Til things are brighter, I'm the man in black".
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[personal profile] pauamma posting in [community profile] free_speech
It's that time of the fortnight again. If you have a link related to free speech but no time or energy to write an entry around it, or if you want or need to remain anonymous, this is the entry to do it for the next 2 weeks. Or, if a comment sparks a thought, feel free to jump in and reply or join the conversation.
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Two researchers from the University of Florida are warning about the psychological toll of AI-related job fears, coining the term AI replacement dysfunction (AIRD) to describe it. According to their article in Cureus, the constant anxiety about being replaced by AI can trigger symptoms like insomnia, stress, paranoia, and loss of professional identity, even in individuals without other psychiatric disorders:

https://www.cureus.com/articles/407877-artificial-intelligence-replacement-dysfunction-aird-a-call-to-action-for-mental-health-professionals-in-an-era-of-workforce-displacement#!/

The authors highlight that this distress is rooted not in traditional mental illness but in the existential threat of professional obsolescence, with layoffs and public warnings from tech leaders intensifying the fear. While AIRD is not yet clinically recognised, the researchers propose screening methods and emphasise the need for clinicians and communities to support those affected, arguing that understanding this phenomenon is essential as AI increasingly transforms workplaces.

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